Brian Jagde & Nadine Sierra sing the duet from Manon

Tenor Brian Jagde & soprano Nadine Sierra sing the duet ” Toi! Vous!” from Manon

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Teatro_Massimo

Teatro Massimo Debut in 2016 – ‘Madama Butterfly’

July 23, 2015

Next season, Brian Jagde makes his debut in Sicily at Palermo’s famed Teatro Massimo, as Lt. Pinkerton in a new production of Puccini’s Madama Butterfly – September 16, 18, 21 & 24, 2016. This has become a signature role for Mr. Jagde, who has been heralded as “the ideal Pinkerton” and a “first rate Puccini tenor” in his performances at San Francisco Opera and the Royal Opera House in London.

Jagde is joined by a thrilling international cast for this Nicola Berloffa-directed production, including Hui He in the title role, Anna Malavasi as Suzuki, and Vladimir Stoyanov as Sharpless, with Jader Bignamini leading the Orchestra e Coro del Teatro Massimo.

Carmen_Bieito

2015/16 Season Announcement

July 21, 2015

This season, Brian Jagde makes house debuts at Houston Grand Opera as the Prince in Rusalka (1/29 & 31 and 2/6, 9 & 12) and Palm Beach Opera, as Bacchus in Ariadne auf Naxos (3/18 & 20). He sings Don José in return engagements at the Deutsche Oper Berlin (4/16, 22 & 24) and San Francisco Opera, in the United States premiere of Calixto Bieito’s thrilling production (5/27 & 296/1, 23 & 26, and 7/2). He also returns to Minnesota Opera for his role debut as Bacchus (9/26 and 10/1, 3 & 4) and will make his debut in Italy at the Teatro San Carlo as Don José in a new production of Carmen, led by Zubin Mehta (12/13, 16, 18 & 20).

Additional information will be posted as available; please visit the Schedule page for updates.

 

Santa_Fe_Opera

‘Salome’ at Santa Fe Opera

July 16, 2015

Following his “heroic” debut in 2012 as Cavaradossi in Tosca, Brian Jagde returns to Santa Fe Opera this summer as Narraboth in a new production of Strauss’ Salome. Mr. Jagde previously performed the role with “clarion voice and convincing acting” earlier this season at Opera San Antonio.

Salome performances take place July 18, 22 & 31 and August 6, 11, 18 & 27, and feature Alex Penda in the title role, Robert Brubaker as Herod, Michaela Martens as Herodias, and Ryan McKinny as Jochanaan. Daniel Slater directs the production, with costumes and sets designed by Leslie Travers, and David Robertson leading the Santa Fe Opera Orchestra.

Chicago Lyric - Tosca

Lyric Opera of Chicago ‘Tosca’ – National Radio and Online Broadcasts

June 29, 2015

Lyric Opera of Chicago’s 2015 presentation of Puccini’s Tosca, starring Brian Jagde as Cavaradossi, will receive an on-air and online broadcast via WFMT on July 11 at 12pm CST. Several other classical radio stations nationwide will also air the broadcast, including WQXR and NEPR, as part of The American Opera Series. To enjoy the recording at any time, listen to the archived stream via PRX.org.

The production also features Tatiana Serjan in the title role and Evgeny Nikitin as Scarpia, with Dmitri Jurowski leading the Lyric Opera Chorus and Orchestra. Mr. Jagde received high praise from critics for this “ardent and impassioned” house debut – tune in July 11 to hear this spectacular performance!

San Francisco Opera - Tosca

San Francisco Opera ‘Tosca’ on KDFC

June 1, 2015

The 2014 broadcast of San Francisco Opera’s production of Tosca, featuring Brian Jagde as Mario Cavaradossi, will be broadcast over the air on KDFC Radio and streamed via KDFC.com on Sunday, June 7 at 8pm PST. The performance also features Lianna Haroutounian as Floria Tosca and Mark Delavan as Baron Scarpia, with Riccardo Frizza leading the San Francisco Opera Orchestra and Chorus.

© Bill Cooper/Royal Opera House

“Heroic lyricism and passion” as “the ideal Pinkerton” in Royal Opera debut

March 22, 2015

Brian Jagde packs character into Pinkerton in this thoughtful revival of Puccini’s opera . . . Pinkerton, too, made an unusually strong impression, performed by American tenor Brian Jagde. New to the Royal Opera, his resplendent singing, with a real ring to the top of his voice, gave his anti-romantic lead personality, while his final (and literal) running away from his responsibilities provided an unforgettable image.”
George Hall – The Guardian

Brian Jagde, on an exciting house debut, is the ideal Pinkerton. His voice sustains a lyrical beauty across its rangehowever forceful the orchestral swell beneath it, while as an acting presence he suggests coltish arousal at the prospect of a play-marriage with his exotic young victim.”
Mark Valencia – WhatsOnStage

For once, Cio-Cio-San had a Pinkerton worth throwing herself away for. The American tenor Brian Jagde (making his Royal Opera debut) rightly dominated the first Act. To go with his good looks, Jagde’s voice has the heroic lyricism and passion that suits Pinkerton’s reckless seductiveness, and its occasional hard edge . . . was a brilliant expression of Pinkerton’s lacerating arrogance.”
Peter Reed – Classical Source

“The high drama of Opolais’s interpretation is complemented by Nicola Luisotti’s forceful, febrile conducting and Brian Jagde’s unusually sympathetic Pinkerton, a plausible American jock who imbues “Addio fiorito asil” with aching remorse.”
Rupert Christiansen – The Telegraph

“ . . . the young, handsome American tenor Brian Jagde making an auspicious house debut as Pinkerton. His voice is powerful and even throughout the range, he produced some thrilling singing where necessary and cut an unusually sympathetic figure on stage in what is a pretty thankless role. I hope we hear a lot more of him . . .”
Keith McDonnell – musicOMH

House debutant Brian Jagde has plenty of weight to his bright tenor and played Pinkerton as a more likeable . . . cad than usual. He filled his brief aria “Addio, fiorito asil” with real regret.”
Mark Pullinger – Bachtrack

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PBO

Palm Beach Opera debut in ‘Ariadne auf Naxos’

February 10, 2015

Next season, Brian Jagde will make his house debut at Palm Beach Opera as Bacchus in Strauss’ sumptuous and spellbinding work, Ariadne auf Naxos. Mr. Jagde is joined by a thrilling cast, including Wendy Bryn Harmer in the title role and Irene Roberts as the Komponist, in a production directed by Daniel Witzke. Maestro Andreas Delfs leads the Palm Beach Opera Orchestra and Chorus for these performances, taking place March 18-20, 2016.

Mondavi-Center

Debut Solo Recital at the Mondavi Center

February 7, 2015

Brian Jagde will make his solo recital debut on February 18 in Jackson Hall at the Mondavi Center, located on the campus of the University of California, Davis. Mr. Jagde is joined by acclaimed pianist Craig Terry, Music Director of the Ryan Opera Center at the Lyric Opera of Chicago, for this performance. The program features a set of five songs from German composers (Schubert, Schumann, Brahms, Wolf, and Mahler), The Holy Sonnets of John Donne, Op. 35 by Benjamin Britten, and a set of Rachmaninoff songs reflecting the five stages of grief. The evening will close with five songs by Richard Strauss, in celebration of the sesquicentennial of his birth.

For notes and additional information, see the digital edition of the program via issuu. A limited number of tickets remain available for this event; to purchase online visit MondaviArts.org.

Rusalka

House debut at HGO in ‘Rusalka’ and a return to San Francisco for ‘Carmen’

January 30, 2015

Next season, Brian Jagde will make his house debut at Houston Grand Opera as the Prince in Dvořák’s enchanting fairy tale, Rusalka. Mr. Jagde previously sang the role “admirably” and with a “shower of bright overtones” at Opera San Antonio. He is joined by soprano Ana María Martinez in the title role, baritone Richard Paul Fink as the Water Goblin, and Maestro Harry Bicket (Chief Conductor – Santa Fe Opera) on the podium. Performances take place January 29 & 31, and February 6, 9 & 12.

Carmen

Later in the season he returns to the San Francisco Opera, to sing Don José in Bizet’s strikingly seductive masterpiece, Carmen. This is a signature role for Mr. Jagde, who most recently sang José in his debut at Opéra de Limoges, thrilling audiences and critics alike with his “powerful” and “heroic” portrayal, regarded as “a model of dramatic intensity.”

The production, created by the bold and provocative Spanish director Calixto Bieito, will make its U.S. debut at War Memorial Opera House (see trailer from English National Opera here). Irene Roberts sings Carmen, Zachary Nelson is Escamillo, and Nadine Sierra sings Micaëla, with Carlo Montanaro leading the San Francisco Opera Orchestra and Chorus. Tickets are now available for all performances: May 27 & 29, June 1, 23 & 26 and July 2.

 

 

 

 

 

Brian_Jagde_Tosca_Chicago_Lyric_2015

Brian Jagde is “a revelation” as Cavaradossi in ‘Tosca’ at Lyric Opera of Chicago

January 26, 2015

A substitute at Lyric Opera’s Tosca is a revelation . . . On January 12, Lyric Opera general director Anthony Freud announced that Misha Didyk, the Ukrainian tenor scheduled for the leading role of Mario Cavaradossi in Puccini’s Tosca had dropped out of the production “for personal reasons.” Opening night was just 12 days away. But a replacement had been found: a rising young American tenor, Brian Jagde (it’s pronounced Jade), would be stepping in, making his Lyric debut. In the announcement, Freud thanked the Portland Opera for releasing Jagde from a conflicting engagement there . . .

Not to worry! In a revelation to an audience who hadn’t heard him before, Jagde and his Tosca, Russian soprano Tatiana Serjan, also in her Lyric Opera debut, delivered standout performances. (No surprise about Serjan for those who’d heard her in CSO’s concert version of Verdi’s Macbeth, conducted by Riccardo Muti last season.) The abrupt departure from plan resulted in an inspired pairing: two wonderful acting singers with the extraordinary voices that make for opera legend.”
Deanna Isaacs – Chicago Reader

“Puccini’s Tosca returned to Lyric Opera in a beautifully performed, new-to Chicago production that featured a wealth of important company debuts, including the evening’s conductor and all three principal singers (seen Jan. 24) . . . Serjan found an excellent stage partner in Brian Jagde’s handsome, clarion-toned Cavaradossi. The tenor won audience approval from the initial phrases of “Recondita armonia,” which were lyrically dispatched without the bellowing so often heard. Once fully warmed, Jagde produced an impressive flood of ringing sound that appeared to be produced well within his means without spreading under pressure above the staff. The sexual chemistry onstage with Serjan was palpable: this was a hot Tosca duo.”
Mark Thomas Ketterson – Opera News

“Puccini’s score for “Tosca” is chock-full of thrilling moments . . . In Lyric’s production, the less familiar music of Act I is enlightened by soprano Tatiana Serjan’s Tosca and tenor Brian Jagde’s Cavaradossi. They chase each other up and down scaffolding, play-fighting like children, and then suddenly confessing love that cannot be moved. Both are attractive, consummate actors, and bring a freshness to their portrayals . . . His voice’s chiaroscuro (the balance of lightness and darkness) and a razor-sharp focus awarded his Lyric debut with thunderous applause; Jagde seems the new Richard Tucker . . . Jagde alone is reason to attend.“
New City Stage

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