Review

Best of 2017 Highlights

Tenor Brian Jagde, in his role debut as besotted Prince Calaf, starred in both casts. He again proved his winning combination of looks and talent."

Review

‘Turandot’ revival at San Francisco Opera

Jagde undertook the role in promising fashion for the first time in September, but since then his command of the assignment has only grown more assured and polished ... best of all was his “Nessun dorma” in Act 3, a grand and glorious rendition that combined huge reserves of sound with phrasing of untrammeled eloquence."

Review

‘Tosca’ at Opernhaus Zürich

I had not heard American tenor Brian Jagde and was quite impressed: he has sung Cavaradossi in Stuttgart, Santa Fe, Chicago and Berlin. He has a young, strong voice, secure top notes ..."

John Rhodes, Seen and Heard International
Review

A “world-class heroic tenor” debut as Calaf in ‘Turandot’ at San Francisco Opera

After an auspicious performance of Radames in last year’s Aida, Jagde has clearly arrived as a world-class heroic tenor in this role debut as Calaf ... His “Nessun dorma” showed a huge breadth of space, moving seamlessly from an intimate whisper to a hall-filling embrace ... his highs beautifully rode the crest of the orchestral wave."

Review

Opera in the Park / San Francisco Opera

... tenor Brian Jagde unleashed an ardently full-throated rendition of “Donna non vidi mai” from Puccini’s “Manon Lescaut" ...

Review

Brian Jagde receives “one of the greatest ovations of the night” as Macduff in Madrid

The young tenor Brian Jagde comes from the Operalia competition, and surely it was on the "council" of Domingo to include him in the cast. He was not mistaken, as he achieved one of the greatest ovations of the night for his performance as Macduff without reservations and an intriguing voice.