Review

La Forza del destino at Gran Teatre del Liceu

Tackling Don Alvaro in Forza feels like a perfect evolution for him, and he delivered on every count.

Opera Diary
Review

Adriana Lecouvreur at Teatro Real

"...por su voz poderosa, bien proyectada y que seduce por su despliegue de ardor hormonal y guerrero"

Ópera Actual
Review

‘Tosca’ at The Metropolitan Opera

... this performance abounded in crackling energy, sure-paced suspense, romantic reverie and thrilling singing from Radvanovsky and Jagde ... In Jagde she (Radvanovsky) had a tenor who could match her soaring power. It’s hard to believe that he spent almost 10 years early in his career as a baritone. On Thursday his enormous, vibrant voice was capped by exciting top notes ... it’s hard to complain when you have a singer with such a big, beefy instrument.

Review

‘Madama Butterfly’ at Lyric Opera of Chicago

Jagde’s voice, with its coppery ring, seemingly effortless high notes and extraordinary lyric spin given its heft, cannot help but please, even in phrases where his character is most heartless. His palpable pain as he discovers what his callousness has wrought is a top-drawer effort by an artist who seeks to humanize his character.

Review

‘Manon Lescaut’ at Deutsche Oper Berlin

Brian Jagde is exemplarily cast due to his beautiful sounding as well as extraordinarily heroic timbre of the tenor and also convinces with a transparent and credible performance! With his expressive and clearly led top notes Jagde sings himself into the hearts of the audience! Bravo!"

Review

‘Manon Lescaut’ at San Francisco Opera

As Manon’s handsome suitor Chevalier des Grieux, tenor Brian Jagde was impressive in his fifth role debut this year. His voice resonating with ringing intensity and virile beauty, Jagde was ardent and dashing ...