Welcome to the Official Website of Lyric Tenor Brian Jagde

Brian Jagde sings "Ma se m'e forza perderti" from Ballo

Brian Jagde sings "Ma se m'e forza perderti" from Verdi's Un Ballo in Maschera. Recorded at the Herbst Theater in San Francisco on November 30, 2012.

News

Teatro_Massimo

Teatro Massimo Debut in 2016 – ‘Madama Butterfly’

Next season, Brian Jagde makes his debut in Sicily at Palermo’s famed Teatro Massimo, as Lt. Pinkerton in a new production of Puccini’s Madama Butterfly – September 16, 18, 21 & 24, 2016. This has become a signature role for Mr. Jagde, who has been heralded as “the ideal Pinkerton” and a “first rate Puccini tenor” in […]

23 July, 2015

Carmen_Bieito

2015/16 Season Announcement

This season, Brian Jagde makes house debuts at Houston Grand Opera as the Prince in Rusalka (1/29 & 31 and 2/6, 9 & 12) and Palm Beach Opera, as Bacchus in Ariadne auf Naxos (3/18 & 20). He sings Don José in return engagements at the Deutsche Oper Berlin (4/16, 22 & 24) and San Francisco Opera, in the United States […]

21 July, 2015

Santa_Fe_Opera

‘Salome’ at Santa Fe Opera

Following his “heroic” debut in 2012 as Cavaradossi in Tosca, Brian Jagde returns to Santa Fe Opera this summer as Narraboth in a new production of Strauss’ Salome. Mr. Jagde previously performed the role with “clarion voice and convincing acting” earlier this season at Opera San Antonio. Salome performances take place July 18, 22 & 31 and August 6, […]

16 July, 2015

In The Press

An “ardently” sung Narraboth in ‘Salome’ at Santa Fe Opera

The new production of Richard Strauss’ Salome unveiled by Santa Fe Opera on Saturday affords as fine an evening of musical drama as the company’s audience can hope for. It conveys the tale with clarity and some inspired flashes of unorthodoxy, capitalizes intelligently on the available stage resources, and boasts a cast that is spot-on from start to finish . . . All of the other four principals proved exemplary in their roles . . . The strange role of Narraboth, the captain of the guard, was sumptuously entrusted to Brian Jagde, whose tenor rang out ardently until he committed suicide 40 minutes into the opera, overcome by the emotional conflict of hearing Salome, for whom he has feelings, proclaim her lust for Jochanaan. Here he prefigured Salome’s Dance by doing a little striptease himself — first his sash, then a button here, a button there, but he opted for the dagger rather than proceed further.”
James M. Keller – Santa Fe New Mexican

Pay special attention to Brian Jagde, strong and sweet-toned as a Narraboth who responds to Salome’s obsession with the Baptist’s body/hair/lips with self-pleasuring erotic sympathy.”
John Stege – Santa Fe Reporter

Verdi’s ‘Nabucco’ in Valencia

“American tenor Brian Jadge left a very good impression. His voice is attractive and very well suited to Ismaele.”
José M. Irurzun – Seen and Heard International

“Brian Jagde exhibió un bello timbre y buen gusto en su papel de Ismaele, del que hay que lamentar que sea tan breve.”
Manuel Muñoz – CulturPlaza

[“Brian Jagde exhibited a beautiful timbre and good taste in the role of Ismaele, which is regrettable that it is so brief.”]

“En esta obra, el tenor, en el personaje de Ismaele, tiene menos protagonismo de lo habitual. Brian Jagde, no se lució especialmente por falta de un aria que se lo permita, pero su voz se escuchó firme en las escenas en las que hacía acto de presencia.”
Notas de Paso de Miguel

“Heroic lyricism and passion” as “the ideal Pinkerton” in Royal Opera debut

Brian Jagde packs character into Pinkerton in this thoughtful revival of Puccini’s opera . . . Pinkerton, too, made an unusually strong impression, performed by American tenor Brian Jagde. New to the Royal Opera, his resplendent singing, with a real ring to the top of his voice, gave his anti-romantic lead personality, while his final (and literal) running away from his responsibilities provided an unforgettable image.”
George Hall – The Guardian

Brian Jagde, on an exciting house debut, is the ideal Pinkerton. His voice sustains a lyrical beauty across its rangehowever forceful the orchestral swell beneath it, while as an acting presence he suggests coltish arousal at the prospect of a play-marriage with his exotic young victim.”
Mark Valencia – WhatsOnStage

For once, Cio-Cio-San had a Pinkerton worth throwing herself away for. The American tenor Brian Jagde (making his Royal Opera debut) rightly dominated the first Act. To go with his good looks, Jagde’s voice has the heroic lyricism and passion that suits Pinkerton’s reckless seductiveness, and its occasional hard edge . . . was a brilliant expression of Pinkerton’s lacerating arrogance.”
Peter Reed – Classical Source

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VIDEO: San Francisco Opera – ‘Tosca’ Preview

Puccini's masterful melodrama is a sexually charged, edge-of-your-seat thriller, in which a great singer, a rebellious painter and a corrupt police chief engage in a deadly test of wills. The cast stars Brian Jagde, Patricia Racette, and Mark Delavan. More videos