Welcome to the Official Website of Lyric Tenor Brian Jagde

Brian Jagde sings "Ma se m'e forza perderti" from Ballo

Brian Jagde sings "Ma se m'e forza perderti" from Verdi's Un Ballo in Maschera. Recorded at the Herbst Theater in San Francisco on November 30, 2012.


‘La bohème’ at the Teatro del Palacio de Bellas Artes

Brian Jagde makes his house debut at the historic Teatro del Palacio de Bellas Artes in Mexico City this month, as Rodolfo in Puccini’s La bohème on December 11 & 14. Maestro Srba Dinic leads the Orquesta del Teatro de Bellas Artes for this production, which also features Olivia Gorra as Mimì, Jesús Suaste as Marcello, and Marcela Chacón as Musetta. […]

6 December, 2014

Butterfly duet sfopera 2.1

‘Madame Butterfly’ on KDFC – Sunday, November 2 at 8pm PST

Enjoy an archived broadcast of Puccini’s Madame Butterfly from San Francisco Opera featuring Brian Jagde as Lieutenant B.F. Pinkerton, on Sunday, November 2 at 8pm PST on Classical KDFC (both online and over the air). This production boasts an incredible cast, including Patricia Racette in the title role, Elizabeth DeShong as Suzuki, and Brian Mulligan as Sharpless, with Music Director […]

31 October, 2014


Verdi’s ‘Nabucco’ in Valencia, Spain

Brian Jagde will make his debut (house and role) at the Palau de les Arts Reina Sofia in Valencia next spring, as Ismaele in Verdi’s majestic work Nabucco. Mr. Jagde joins an internationally renowned cast for these performances, including Dimitri Platanias in the title role and Varduhi Abrahamyan as Fenema, with San Francisco Opera Music Director Nicola […]

10 September, 2014

In The Press

A “magnificent” and “passionate” ‘Tosca’ at San Francisco Opera

Brian Jagde returned to the role of Cavaradossi this fall (last seen at San Francisco Opera in 2012) to spectacular reviews:

“The San Francisco Opera is batting a thousand where young singers are concerned this season . . . it’s hard to deny that the headliner and crowd favorite was Brian Jagde, an American lirico-spinto who can’t be more than thirty-two and who’s still singing a fair amount in smaller houses (who will soon be unable to get their mitts on him soon, by the look of things.) Jagde is a handsome guy and has an unfussy, comfortable stage comportment. More to the point, he’s vocally in the clover as Cavaradossi.

“Recondita armonia” strikes me as a particular kind of gift to tenors—it sits high, but it’s short, and someone else is muttering along while you build up to the B-flat, and the melody lets you make a money note of the G if you’re not feeling it quite that early in the evening. Jagde made the most of it. Much as I’ve enjoyed hearing veterans belt the thing over the years, it was refreshing to the point of mild disorientation to hear such a tight and youthful sound lavished on it . . . it’s a voice that, while sleek, fills the house most gratifyingly. He could not have more effectively signed up a fan base had he opted for “You’re Gonna Love Me” as a suitcase aria, and the rest of the evening made good on early promise.”

Greg Freed – parterre.com

“A great match for the celebrated soprano is tenor Brian Jagde as Mario Cavaradossi, with his remarkably good looks, commanding stage presence, dramatic talent, and the most amazing voice – so powerful and effortless – it gives a listener a special kind of satisfaction when one knows that nothing could go wrong, and the enjoyment will sustain to the very last note, and beyond!”

Emma Krasov – Art and Entertain Me

“The real star—do not miss him—is tenor Brian Jagde. He is magnificent.”

Kevin Sessums – dot429.com

“Her hot-blooded lover Cavaradossi, a partisan for the short-lived Napoleonic Roman Republic, was sung by the handsome young American tenor Brian Jagde. He sang his two big arias, Act I’s “Recondita armonia” and Act III’s “E lucevan le stelle” – one of the most beautiful arias in the tenor repertory – with sweet lyricism.”

David Bonetti – Berkshire Fine Arts

“Matching her note for note is the handsome tenor Brian Jagde, a Merola alumnus and former Adler Fellow who strikes some sparks with his lady love, both vocally and dramatically. He is the painter and revolutionary Mario Cavaradossi and she a famous singer, with the temperament to go with it: jealous, melodramatic and passionate.”

Suzanne Weiss – CultureVulture

“Jagde (who has appeared with the San Francisco Opera every season since his company debut in 2009) continues to impress as an impassioned romantic lead with a solid, healthy voice who consistently delivers the goods.”

My Cultural Landscape

“Brian Jagde, her Cavaradossi, crooned all of his three big arias with a warm, well-placed tenor.”

David Littlejohn – The Wall Street Journal

“. . . the strikingly handsome and firm-voiced tenor Brian Jagde as Cavaradossi . . . Jagde was a more animated romantic lead, especially in his first act back-and-forth with the lively Sacristan (a fine Dale Travis) and the desperate prison escapee Angelotti (Scott Conner).”

Steven Winn – San Francisco Classical Voice

“Jagde was at his finest in the role’s two big arias, rising to well-judged climaxes in Act 1’s “Recondita armonia” and bringing potency and grace to “E lucevan le stelle” at the beginning of Act 3.”

Joshua Kosman – SFGate

“As Cavaradossi, Jagde . . . sang big, excelled in duets with Haroutounian, suffered well during the Act 2 torture scene and hit the ball out of the park with his exclamation “Vittoria!,” an exposed and repeated high note known to challenge (and be the glory) of many a tenor. Jagde’s Act 3 “E lucevan le stelle” (“And the stars were shining”) also was impressive.”

Janos Gereben – sfexaminer.com

“Cavaradossi suits Brian Jagde, and his gleaming voice was a good match for Haroutounian.”

The Opera Tattler

“In his aria, “Recondita armonia,” beautifully sung here by Brian Jagde, Cavaradossi marvels over the way two beautiful women – the blond, blue-eyed woman he saw praying and his own beloved, dark-haired and dark-eyed Tosca – have miraculously combined in his painted Magdalen.”


James Roy MacBean – Berkeley Daily Planet

“Jagde and Haroutounian did much to endow these rather cardboard figures with a modicum of human substance. Both of them accomplished this through an almost consistently sold vocal command, drawing in the attention of the audience in spite of their insignificance through Scarpia’s manipulations.”

Stephen Smoliar – examiner.com

“. . . I enjoyed his easy and floating way of singing a line, effusing his role with sincerity, smarts and humor, and bringing alive this gentleman artist in the first scene. Bit by bit, he expanded on this opening gambit, growing cocky, rebellious, ardent: His Act 3 “E lucevan le stelle,” recalling the beginnings of Cavaradossi’s love affair with Tosca, combined great tenderness and biting intensity. Jagde sang his heart out.”

Richard Sheinin – San Jose Mercury News

“Lianna Haroutounian and Brian Jagde set the tone as the lovers, the passionate diva Floria Tosca and the flamboyant artist and revolutionary sympathizer Mario Cavaradossi. Both are superb actors, who relate beautifully to one another always in close connection, even when singing out towards the audience. Their performance of the magnificent duet, “Amaro sol per te” is about as good as Puccini gets, and that’s mighty good.”

Charles Kruger – TheatreStorm

“Young American tenor Brian Jagde was the Cavaradossi. This former Adler Fellow has at last shown that he is ready for the War Memorial and other important stages, that he a finished artist . . . Here with Maestro Riccardo Frizza in the pit he was given the musical space to sing, and that he did beautifully.”

Michael Milenski – Opera Today

“An Adler fellow with the SF Opera, he had floored us in one of our first encounters with him in Puccini, that seems to be his territory. He’s still growing into the role, finding more confidence and more heft in his voice. And the familiarity of the cast with the staging ensured that all flowed smoothly, with none of the slight hesitations you may encounter on opening night.”

Cedric – sfist.com

“Brian Jagde is making quite a name for himself as a Puccini tenor . . . His singing still remains bold, and his duets with Haroutounian are absolutely thrilling . . . the audience responded with cheers.”

Philip Campbell – The Bay Area Reporter


“Nessun dorma” at ‘Opera in the Park’

‘and tenor Brian Jagde . . . delivered a ripping account of “Nessun dorma” from Puccini’s “Turandot.” The crowd roared its approval.’ SFGate – Joshua Kosman – 9/7/2014



Madama Butterfly, San Francisco Opera

“Jagde has emerged as first rate Puccini tenor, possessing the spinto weight expected of Pinkerton or a Cavaradossi as well as the lyrical beauty to do justice to Puccini’s richly melodic score.”
operawarhorses.com – 6/16/14

“Tenor Brian Jagde is simply a dream come true as “Benjamin Franklin Pinkerton”. His character, of course, is the ultimate cad, the definition of the Ugly American. But for the trusting Butterfly – who gives up family, social acceptance and sheds her religious convictions for the god of her husband – Jagde is the ideal package. His full lyric tenor stems from his training with San Francisco Opera’s Merola Program and Adler Fellows.”
Examiner.com – Sean Martinfield – 6/19/14

Latest Tweet


VIDEO: Tosca Act 1 Cavaradossi’s Aria

Soon the dashing painter Cavaradossi enters to work on his portrait of Mary Magdalene based on a likeness of Angelotti's sister, the Marchesa Attavanti. Cavaradossi compares her fair beauty to that of his darker lover, the charismatic diva Floria Tosca ("Recondita armonia"). More videos